New Work: Portraits, Fashion, Architecture
I often discuss upcoming posts that I intend to make. I tend to do this after I travel to some where cool and make some great images that I want to share. However, when I am back, I usually get slammed with work and it takes me twice as long to post. This has been the trend for the last year or more. It is not because I do not want to make regular posts, it is because I have experienced a new kind of busy. In fact, the last 5-6 months have been crazy super busy.
Just how busy? So utterly busy that I haven't been able to get a whole list of things done, mostly personal work. I have had some major life changes happen, such as getting married on May 23rd. That was kind of a big deal and took up a bit of time, but a very happy kind of work interruption. The kind that makes you happy. I traveled to Florida immediately after the wedding. A small honey moon, as we will be in Italy for almost two weeks in August/September. Fun times to come! You would be able to see in a post made a few months ago that, my now wife, was in the hospital for a few weeks. That was a major thing and took some time away from work. Life happens, right? Sure does! But through it all I have been able to make some incredible images, work on some incredible shoots, meet some new clients, and have had fun.
My drone now has a set of eyes in the sky and I am enjoying that, because that is a thing and within this crazy career of being a photographer, it is not just an occupation, obsession, love, it is my hobby. My drone is a toy as much as it is an economic device.
Over a year ago I photographed Devin. He is a child actor quickly building a resume that is sure to land him much success in the near future. Devin is a great kid to photograph and when we work together, he gets some great images and I get a great addition to my portfolio. The first shoot I did with Devin was for comp cards to get him noticed. He had already done a few awesome projects, including Sex Tape with Camron Diaz. That shoot was in studio. His mother requested we do something different, so we shot outdoors in a location that we both knew and thought would be a great backdrop.
I am very happy with the above photograph. It is a mixed variation of natural and artificial light that I used to create this image. I truly enjoy working on location and combining natural and artificial light.
As a portrait photographer, it is my job to make portraits that capture who a person is. The end result is to get incredible images of my subjects so they can use them as they need. In Devin's case, he needs get images to land him the work that he needs and wants to do.
My day to day work, at the moment is Architecture. I work with agents, brokers, and developers to photograph a multitude of properties. This is where my drone comes into the mix. I am using it to capture landscapes as well as properties, buildings, high end homes. For me architecture is a fun kind of busy.
A few years ago Kelly asked me to do a shoot. We knew each other from school and had connected outside of the classroom. She needed some good shots of her as she was asked to model for a company. I obliged and we had a great time in the studio. Since then I have photographed her a few more times. Recently we had a chance to catch up and do a small shoot.
Alyssa is a super talented model and dancer. I had the pleasure of connecting with her when a photographer I am friends with brought her to a shoot we had. I quickly realized that she was super talented with dancing, but had no idea until the second shoot her and I did. What makes Alyssa so unique is that she can jump into a number of "roles." She can be the face for a portrait shoot, the model for a fashion shoot, the talented dancer for a shoot the encompasses dance and fashion. The super pop art image, her on the ladder in color and black and white is one of my favorite dance images that I have made. It is super fun, edgy, colorful, yet the right amount of dramatic. I have more of those to come!
I am navigating my work and career into the direction I want to be in. It has taken a few years to get where I am, but I can say without a doubt, I am no where near where I want to be. I have a set of goals and ideas for the future and I am taking drastic steps towards them. But for now, while I am in between the hard work and play, I take steps back to just relax and enjoy myself. My job as a photographer is as rewarding as it is fun.
Dance Photography: New Work
During October and November I worked closely with the owner/choreographer of Eclipse Dance Co to photograph her dancers for a show that opened at the end of November. This project was a bit different than previous dance shoots. Our objective was to shoot for prints that would be exhibited during the show. Each image would feature a specific pose and be suspended within the dance space. The show did not open on a stage, rather a unique event space that exists within a former mill. The title of the show was "Still Moving." It fused the still images within the actual dance. The pieces were site specific, relying on the structural elements of the space to build a stage. The goal was for the audience to navigate around the space while the dancers moved through the space. It was a different take on observing dance.
I really enjoyed the close relationship the dancers had with the audience. The audience became a part of the show with their interaction. At times the dancers swept their ways through observers. It was different, far more different than most dance performances that I have been too. It was refreshing to be a part of something so creative.
You might not always have an assistant, so do the next best thing, set the lights using whatever talent is available.
In terms of the portraits of the dancers, they were photographed at the dance studio. Over the course of 4 shoots we were able to capture the ideal images of the dancers, the ideal poses, that would fit within the show. Working from a mood board that the owner of the dance co put together, we were able to use her studio space during their rehearsals to capture the images.
We've photographed dancers on roof tops, parks, other landscapes, but this images is one of my favorites because of the relationships between the two. Compositionally I adore the poses.
In the 4 shoots that we had there was only one major technical issue that arose. How do we film the dancers from above? There was a request to film one of the pieces from above. The film was to be shown while dancers performed the piece. It was going to be a dramatic and incredible forced perspective on the piece. The first shoot we were unable to mount the camera in the right manner. Working with my 5d, I tried a few set ups of mounting the camera above the dancers. WIth no luck I had to abandon the entire process that I sculpted. There was one idea that I had that would incorporate a raised pole that went up and down for one of the dance classes. If I could lift the horizontal pole high enough, mount a camera looking down, all would be good. The next challenge, how do I mount onto a 6"+ pole? It took some serious out of the box thinking. In the end I used my Gopro Hero 3+ mounted with a U shaped bracket and a magnet. I had to do some serious research to figure out of a magnet would work. Why? Welp, simple. Magnets F*** things up. Magnets and electronics don't always work. Don't believe me, go grab your computer and a strong magnet and see what might happen. Once mounted, lifted, I ran the Gopro via my iPad and worked closely with the owner of the studio to ensure the dancers were in the right position. After several takes we nailed it, the dancers nailed it, the project came to a wrap.
The following photos were a part of the show.
The following gallery are a few highlights from the performance on opening night.
Dance Photography: Shooting for an ad
Three weeks ago my friend came into the studio. Our agenda, make photographs of her for an ad for an upcoming Dance Festival. I decided that I wanted to shoot the ad in film. I loaded my Nikon F4 and after reviewing each pose she was offering, I made photographs. Working with film in a digital studio posed a serious challenge. How was I to process the film?
While I have all the parts of an analog darkroom, I did not have anything set up to process the 4 rolls of Tri-X 400 I had just shot on. I was incredibly excited to have the film processed and knew that it was going to be a few days before I could see the film. I was leaving to go away for the weekend, my friend, portrait below, was also going away for the weekend. He allowed me to drop the film off at his private, in home darkroom, and promised me I would have the film back within a few days. I took his word and set out for the weekend away. The anxiety was painful, as this shoot was one of the first in a very long time that had me so excited. It was unlike the shoots I do for clients, which always have me smiling and happily content, because it was the first time in a very long time that I worked with film. I knew what I was going to get. Great images with some grain. Something I was looking forward to.
The moment I saw the film, I knew I achieved what I was looking for. I got the results I wanted and I couldn't be any happier. It took me a few days to scan the film. Roughly 12 hrs of scanning for high resolution. But in the end, I have a set images that are just incredible and capture my friends talent. Currently these images are in an exhibition along with three other photographers. The below photograph is of my friend on the night of the exhibition, followed by a shot from the exhibition.
Instead of framing my photographs, I installed partitions and hung the prints via clips and finishing nails. The un-framed prints take on their own personality being a part of a set of walls that sit in the middle of the room. I am very pleased with how the exhibition looks.