Portraits

As long as I have been a photographer I have had a desire and a passion to photograph people. Being able to get into my studio, create a set, light, pose, compose, and make portraits of people is a feeling similar to being in a darkroom and watching the developer magically (scientifically) bring to life an image rendered, near permanently, on paper. I love meeting new people, photographing people, hearing their stories, and sharing with the world the moment they were in front of my camera. 

Portraits of Rachael. Natural light. Paul C. Buff Einstein with Octabox. Canon 5Ds with Sigma 85mm f 1.4 Art

Model Test: Jessa V

Thank you for following these posts. I have been so excited to share these photo from my test shoot with Jessa. If you have any questions about this shoot, reach out to me. Follow me on Instagram, twitter, or find me on Facebook. 

Jessa was excited to work together. It was great to connect with her. I wish her the most success. I know we will work together in the future and until then, I hope she continues to slay it!

When I think back to this shoot, the light is what really made for such great images. Sure I was using a great camera, sure I had a great model to work with, but at the end of the day, it was the light that really paved the way for us. You can't write a book and tell a story with out words. In the case of this shoot, the light and Jessa are the story. I feel like I told a pretty great story. 

Model Test: Jessa Part IV

Look at the glow in these images. Impressive. The volume of light was intense and beautiful. The first 3 of the following images are lit from the reflected, glowing, late afternoon light that was bouncing off the airstream. It was directly behind me and lit her beautifully.

The 4th images is amongst my favorite because of the glow and the pose, her gaze, and the closeness to the camera. That image and the following that are posted and the following final post, those are all lit with light reflecting off the airstream, bouncing off the corrugated metal directly across from the airstream, and coming right into the space we are in. Thee entire area was wrapped in light and I adored every moment of it. 

Model Test: Jessa Part III

If you were to ask me before July, "what do you think of California?" My response would be simple. "I dunno. Ive never been. Ive heard good things." Driving up the coast in a convertible, heading into the sunset up into the hills of Malibu, the sun setting in front of me casting an orange glow on the pavement teasing me, saying "keep driving life will get better every mile you search ahead." To contrast, the north east is nothing like California. Boston is fun. New York City is, well, New York City. You love it or you hate it. I happen to love New York City. When you compare LA to NYC, you have two completely different types of cities, lifestyles, and of course, different looks. NYC has a jungle of concrete, Steele and glass. You can be on a rooftop in Long Island City and the view is nearly the same as something you'd see in lower Manhattan. 

Brooklyn seen from the rooftop of The Boro Hotel in Long Island City, NYC

 What I have seen in LA seems to be different. Very Different. The light is different, the skyline is different. Turn around and the view changes. Turn around again, the view changes. Hop to another roof top, the view changes, the mood changes, the looks change. The photo of me, below, is from the roof of a building in DTLA. That is from a studio shoot the day before the test shoot with Jessa. That shoot will be discussed following the posts of Jessa. 

Roof top from Apex Studios in the Fashion District of DTLA, July.

View of DTLA from roof top of Apex Studios.

I bring all of this up, show these images and comparisons for 1 reason, LA is different. Here is why. In the course of 24 hours you can be on the beach, the most quintessential view of Souther California shooting life style fashion, the next day you could be in a studio shooting a look book or some ecommerece. The day after that you could be in the hills shooting an editorial or on a Hollywood set shooting portraits. For me, from my perspective, the vast differences in locations that are seemingly nestled together, LA has a lot more to work with. 

My test shoot with Jessa in Topanga is a stellar example of how flexible the area can be. Turn the corner and there is an area ready to be use for any number of shoots. Turn the corner and drive down the road and there is yet another location ready for a shoot. I found Topanga to be especially inspiring. As quite and private as the area can be, I found it to be a hidden gem of sorts. If I was to be commissioned for an editorial to be shot in California, I would turn to Topanga before others areas. I would do so because I enjoyed the area and would like to use the elements that I saw in a shoot. Granted there are countless others spots I saw and have yet to see in the LA area, and other points north and south, but I know that I would like to shoot again in Topanga.

I said it before and I will say it again, the location was like a film set. I knew when I saw the Airbnb listing I just needed to rent the space. I moved a few pillows and made it a bit more comfortable, but other than that, I shot with the space as it was because it was that well set. As you can see by now, this being the 3rd post with Jessa, there really was a lot to work with.

Model Test: Jessa Part II

As mentioned in the previous post, my gear for this test with Jessa was minimal. A camera with one lens, a model and a photographer in an awesome location. Check out the quick video of the location. Nothing super special. Its not even a real behind the scenes video. It was more of less a few shots on my iPhone to show the space. 

With the minimal gear that I had, I was limited to using just natural light. Even if I had brought a set of lights with me or a simple reflector, I wouldn't have wanted to set them up given the light that I had available. When I first arrived at the location I was awestruck. I have never been in a desert, nor have I ever been in the desert hills of California. The late day light was playing off the sand, creating a glow. Two parts of the property that I rented had airstream trailers, which acted as giant light modifiers. I didnt need a single light or reflector so long as I had the sand from across the valley and the light bouncing off the trailers. You'll see in the following posts how the light bounced through the environment and gave me a lot to work with. I am very pleased with the images we made. 

I know it seems a bit odd to have so many posts for one test shoot. Surely I could simply reduce the number of posts and just do one post with 1 image from each look, but wheres the fun in that? Plus, this is away of generating more content and sharing more images. I am going to be revamping the site over the next two weeks to include all new work, both of Jessa and the other work I produced in Cali, so the more content I generate on the blog, the more visibility. Enjoy!

Fashion Photography: New Work

I am due to upload some new work to my website, including the following, which I am initially featuring here.

Bohemian look:
Creative/style: julia morris
Hair: david harr
Make-up: @chelbomb
Stylist's assist: @kiki_camp
Model: @vickycain88 with Red NYC

Second Look

Black and White mood

Creative/style:  julia morris
Hair:  David Harr
Make-up: @chelbomb
Stylist's assist: @kiki_camp
Model: @meganaperfine with Red NYC
Designer: Minnoji