Portraits
Portraits
Welcome back to the blog. It’s been nearly 2 years since I made a post, but here we are! Im sure you’ve been patiently and anxiously waiting. As the year comes to an end in about 48 hours this is one of two posts I am making.
Just before Christmas I enjoyed catching up with my friend Mark. Many years ago when we first met I photographed him for his campaign. Then 18, he was running for local office. He wanted to be a part of a positive change in the community. Fast forward to the present, by passing all the office hjinks, the plenteous pizzas we had from Dominos, and the mockery of local politics, we are both in different places in life and career.
Mark has taken up photography using vintage cameras and various films as his medium of exploring the world around him. He has a keen eye for composition and enjoys making photos simply for the fun of it. The portrait of Mark I made below was shot using a Canon slr, a hand held light meter, and Portra 400.
Mark with his Mamiya. Soft focus from 1/15th exposure.
Throughout the Pandemic I didn’t have much time to create work using film. In January 2020 I purchased a very beautiful Pentax 67 that was, by all visible appearances and functionality, brand new. I had plans for that camera as the decade changed. Whatever plans I was making would soon be take away from me. Since purchasing it, it has been sitting on my shelf next to my Hasselblad patiently waiting to come out and play. Our time together was spent producing these head shots for his LinkedIn page, enjoying some food, and catching up on life and business all while making photos.
Earth Day
Earth Day 2020
Apparently its Earth Day. I forgot. I didn’t notice until I saw a friend made a post on social media. I opened my calendar on my phone several times today but for some reason “Earth Day” was just a static hold on my list of things to do. I paid no mind to it.
The earth is sad. Mother Nature is weeping in the shadow of our sorrow. Most people are to oblivious to take notice that we are a part of the earth. Most people are so detached from nature, swiping left and right, expressing emotions through devices, and looking through the windows wishing for what they cant have. That is the cold hard truth.
The world, to me, deserves a hug. I don’t mean each and every human being on the planet hugging and holding each other because social distancing is over, because its not and we can’t, but the world itself..
When I decided to pull some photos from my phone I kept coming back to photos within the landscape. I kept looking at photos of me working with models in some awesome place. The world, the earth, the landscape is something I love. I spend a lot of time working outside. I spend a lot of time photographing people outside. It is something I love doing. I have barely begun to scratch the surface of placing people in the world, capturing them in some remote, beautiful desolate, obscure space. I am still very young in my career as a fashion photographer and will continue to photograph people outside, in the wild, in some amazing landscape, that is when I can and once we have a big change and can be around people again.
Before I share some behind the scene photos of me working in the landscape, here are some photos I made over the last year in places I love. I am starting with Joshua Tree as it is one of the most beautiful parks I have been too. The diverse landscape and the evolving geographic structures make Joshua Tree something special.
*All bts are captured by my talented and amazing HMUA Mel. C*
Joshua Tree
Photo Credit: Wonder Mel, Mel C, 2019, Joshua Tree—Photographing Sianna with a Pentax 67
The above shown landscape images are made in Santa Barbera, Malibu, Vasquez Rocks, and LA over looking Malibu. I am captivated by nature. I love exploring remote parts of the world, something I dont do enough of. But one thing is for sure and very obvious, I love photographing people in the natural environment.
I have plans for a shoot in nature. I have the location in mind and half the shoot visualized. I just need the travel ban lifted a few grand, a team, and this shoot will come to fruition.
Until next time, stay safe and stay happy!
Travel Photography: France, Some Film, and Mistakes
Hasselblad 500cm, Pentax 67, and a Fuji X-Pro 2
It has been nearly a year since I have posted on here. In that time a lot has happened. A lot is happening. I am not going to share my most significant images of 2019 in this post. I will not be writing about the best shoots I had last year, yet. I have plans for that, but at the moment I am going to start writing here as a daily practice to decompress and reduce the stress we are all facing. I have a goal. I want to take your attention away from what we are all in fear of.
Each post, or story, that I am going to share will be visual based. I will give you insight into the images, the shoots, or the travels. I worked with some great people in the last year. I traveled to new places and made some images that I am excited to share. Initially as I began this post I started with a proverbial quote, “I don’t know where to begin.” Which, is also an oxymoron if that is the intro to your post. I hit the delete key and looked at the blank page for all of 30 seconds before I started with what you’re now reading.
France and one of the biggest mistakes of my career: The first full day of exploring Nice France I kept with me two cameras, a Holga 120 film camera and a Sony a6300 to record any video. After making some great images that would never see the light of day I went to change the roll of film. As I pulled the back of the camera open I noticed the film was lose on its spool. Even though it had been exposed and wound, it was lose. My heart sank and I was irritated. I had with me about 20 rolls of film I planned to capture our trip on. With me I had a Hasseblad 500cm, a far cry from the Pentax 67 kit that I rented. Welp I said to my wife, looks like I am not going get anything with this thing. I threw it back into the bag. Once back to the room I would swap it out for my 500cm.
I rented a Pentax 67 kit with a few awesome lens. A wide angle, a telephoto, a 50mm, a 90 mm and a 75mm. Sounds like one of the most bad ass kits you could think to travel with, right??? Aside from the weight of it, it was a beauty. I am not one to complain about the weight of a camera but this thing was going to be some serious weight to trek around Europe. I really didn’t care that this camera was going to create a back problem, the photos rendered on Portrait 400 were going to be so worth it. So I thought.
Literally 24 hrs before flying the unimaginable happened. The camera’s mirror locked. I was taking out a roll of film that I shot in Joshua Tree a few days earlier. I forgot to take it out after the shoot and as I was prepping the camera and packing my gear I went to remove it. I am not sure how the mirror locked up but it did. Nothing I could do would unjam it. I spent hours searching my camera store and a few other stores for batteries. After swapping them out with a fresh one, it was locked up for good. I was pissed. I spent well over $300 for month long rental and I now had a giant paper weight. I had just purchased a TON of film and was amped up. In my mind, knowing where I was traveling to, Nice, France and the Cinque Terre Region of Italy, I already had images framed and being developed. Those images would never comet to see the light of day, just like the photos from my Holga.
Getting back to our room I swapped out the Holga for the Hasselblad. I was excited to put this baby to work on foreign soil. There was something incredibly satisfactory about looking down the lens of such a remarkable camera in such a beautiful region. Square format, Portra 400, France, sounds like a great time with a camera, right? Wrong. After spending about an hour making photo I finished the roll. Somehow I managed to roll the film incorrectly into the back. Ive done that serval times, usually while loading in a pinch. Also, I don’t use the camera daily, soooo muscle memory..Yet again another set of images that would never see the light of day. I was on a roll. Strike 3. I was out. Needless-to-say I was pissed. I decided right then and there, standing in Old Town in Nice, France I was done with film for this trip. This was the third strike.
Fuji X-Pro 2. That was the camera I decided was going to be my back up. I left home my Canon 6d Mark ii and allllll my lenses. I had with me, as my digital savior, my favorite travel camera. It is the perfect camera for traveling. The only issue, as if you werne’t really expecting another one, right?, I only had one lens, a 35mm. No big deal, right? Well it was sort of a big deal because I was going to be in an area with dramatic landscapes. You don’t want to be standing on the Italian coast holding a 50mm lens in your hands trying to film large landscapes. Really, you don’t. So when you hear, “gear doesn’t matter,” it really does. There are the right tools for the right jobs, just like there are there are the right cameras and the right lenses for specific types of images you intend to make. I would go on to spend 7 beautiful days with my Fuji over my shoulders and in my hands. At times it would be tossed into my bag as I recorded video using my A6300.
The following images are unified not by their physical location, but through the compositional traits they share. Each image fits perfectly next to the next and previous photo. They demonstrate my ability to see, what gauges my interest, and how I can tie images together to form a visual narrative. When I travel I do not just aimlessly point my camera in a direction and hope something magical befalls my lens. I see, I search, I compose through the lens just as much as I am orienting myself in a new place. This type of work satisfies my need to travel and create. Traveling for me is validates the existence of the places in the world I do not yet know exist. Photography for me is a way of communicating my vision, saying this is where I was and what I saw when I was there.. Each photo below is a window, a doorway, a walk way, a space that holds its own composition, the view on the other side. I love architecture and when I can I like to capture images of buildings and architectural features that represent the styles and periods of history of places I am traveling through.
I did mention above that during this trip I did make the biggest mistake of my camera. I will be explaining that in more detail of a few more posts about this trip. For now, enjoy these photos. Cheers and stay happy.
