Night Photography: Snow
It is a quiet night. There is a mix of snow and rain falling upon us. The sound creates a soft texture as it bounces off our jackets and collects on the surfaces around us. Every step we take is a soft crunch as we pack the snow below our shoes. On occasion a car passes, music up just high enough to hear the beats inside. Seldom do we see a lone figure navigating the cold ground, carefully stepping to avoid the hidden ice. Our conversation ranges from our businesses, life, family, how busy we are, and the reasons for why we make images. I can not count how many times I have wandered around the city late at night making photos. It is refreshing to have my friend and colleague Aleksandr present as we explore. Aleksandr is an incredible photographer. One of the best wedding photographers I know. His style is something you don’t see often, unless you’re looking to have the best of the best photograph your wedding. He is not prone to street photography and was very curious as to what motivates me to make an image, rather, what I see that inspires me to press the shutter.
Every couple of images I would point out some element in the scene that I saw, something that interested me or I found visually appealing. I would make the image and share with him. I explained to him that the process, for me, is about seeing. Its not about blindly running around hoping I will get an image, it is about seeing and capturing. I spend so much of my day seeing compositions. Some days I feel like I am a director navigation a film set.
While our vision differs, both of us have a very profound ability to see, read, and utilize light to produce images. This evening though, Aleksandr was making images on a Nikon D850 in black and white. He was shooting wide on a 35mm. I had a Fuji xPro2 tucked into my jacket, where it stayed there the entire time we walked around. I had my Canon 5Ds with a Sigma 50mm in my gloved hands. I have only used my 50mm a handful of times in studio on one or twice on a commercial shoot. It is such a great lens that I wanted to try this evening on a different type of shoot. The subject matter wasn’t as important as it was to take the time to be in the moment, have a few moments to be creative outside of our daily business, and just get out and shoot. When you take the time to create for yourself it is almost always therapeutic.
Photography
Back in September I posted about my Fuji X-Pro 2 and a bike accident that I had. Since then I have not replaced the lens that sustained damage during that fall. I have no plans to replace it, at the moment. I have found that the lens produce some beautiful images even though it is flawed. This afternoon I had my small camera bag with me, which contains the Fuji X-Pro 2 and my new DJI Mavic Pro. Both fit perfectly in my Amazon bought camera bag.
After I landed from a quick flight I decided to make some photos of the late afternoon light. My personal work is about light, shadows, patterns, and textures. This afternoon I wanted to produce a series of complex images that captured the light as it was setting. I relied on the environment around me to be the subject as I followed the light.
The common thread that ties the following images together is not just the quality of light, but it is the use of shadow and space within the environment. You will also see a relationship of positive and negative space, how I compose the image to tell the story of how the light exists within the space. It is this thinking that allows me to create images of complexity that tell the story of a late afternoon light setting on an urban setting.
It is not everyday that I get a few minutes to myself to make some personal work. So much of my day is spent shooting, editing, or one or the other. Being able to make images like this is both fun and challenging. Challenging in the sense that I want to visually tell a story but I don't always have the time to do so nor is there always a story to tell. Enjoy.
Photography: The Silhouette of Industry
Those who know me best, or at least know my work by sight, can describe my images well. Often times people get confused and think my first choice of subject matter is abandoned buildings and cityscapes. This is entirely incorrect as my interests in capturing cities, both with people and without is to document what fascinates me. The objects left behind from the era of industry are relics. A building that once used to house factory workers is as equally interesting as the mill building itself. It is likely that I will never figure out what compels me to study them. I am in no way driven to study the workings and history of the era of industry. I am however fascinated at its existence. It sounds odd to say that I am not interested in the history, yet I have extensively photographed one of the greatest contributions to the era of Industry, the Queen of Industrial Cities, Holyoke.
I grew up across the river. I grew up hearing stories of what Holyoke used to be. Today, I am part of conversations of what Holyoke is going to be. A city that was founded on innovation and creativity is in a liminal stage. I often say that we are so far from Industrialism that the labeling of a "post-industrial" city should be forgotten. Cities that once relied on manufacturing and the production of goods no longer do. To move forward is to embrace the past and understand ones roots, but look beyond the horizon.
I made this photograph in passing today. I have shot this same image dozens of times over. Today it seemed fitting though. I have been engaging in conversations recently that have discussed the fabric of the cities beginning. While it is true that I do not read much about the history of industrialism, never-the-less I am at times so immersed in it. For me, the roads, buildings, and images that I construct are all based on vision. Both the literal sight of the object as well as the mental capacity to visualize what is no longer there. Countless times I have stood facing an object, door, room, machine, and section of a mill building just wondering. Wondering what it was like to be in that environment as it was thriving, living, breathing the intended life it was meant to live.
Many buildings stand today. Problematic for the city. Eye sores for the community. Un-answerable questions exist for the municipality that aspires to have the city flourish with life life once again. The challenges that face Holyoke are uniquely different than the neighboring once, former, post-industrial city. Other cities have begun to answer their questions and are on a fast track to a new life, some, some have long days ahead of them.
Stock Photography: Photographs of City for new website
Quite a few months ago I received a request for use of my photographs, (Holyoke Flickr Gallery) for a website redevelopment of a local insurance company. Yesterday I recieve an email expressing the site was done and the photos were up. I made a few screen shots to show how the photographs were integrated into the website.
Abandoned Building Photography: Recent Trip
As a portrait photographer, I capture the likeness of buildings as I would people. It is a tough subject matter, photographing abandoned buildings. Recently I wrote a piece about Abandoned buildings for Free Photo Resources. Post that article I was asked by a friend if I could give her a personal tour of the buildings I have been into. Without haste I agreed and we picked a time to get out and explore. I am working on a personal project to be an exhibition, and could use even more images. So, we went, made some photos, and captured some portraits. I missed out on a few images because my camera died. Yup, I know right, a photographer with a camera that dies, why didnt he charge his batteries!? Well, let it be known that I did! But there is an issue with the camera and both fresh batteries died. This rig is not my primary camera, it is my back up workhorse. The camera that is old enough to take a beating in a building and not need to be worried for if something should happen.
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